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Saturday 9 May 2020

70 trillion frames per second 😦

A team of researchers at Caltech have developed (yet another) camera capable of capturing over a trillion images every second. The previous “world’s fastest camera” could shoot 10 trillion fps; the new camera can capture up to 70 trillion, smashing the previous record.


This latest breakthrough is an evolution of previous “trillion+ fps” cameras from Caltech, all of them some form of “Compressed Ultrafast Photography” or (CUP). The latest iteration is called CUSP, which stands for Compressed Ultrafast Spectral Photography, and it comes from the same minds at Caltech that were recently able to capture 1 trillion fps images of transparent phenomenon like neuron pulses and shockwaves.

Developed by Lihong Wang and his team, CUSP combines a laser that emits short pulses of laser light that last only one quadrillionth of a second, with optics that break up each individual pulse into a train of even shorter light pulses, each of which is capable of producing an image in the camera. But those are just words… how about some sample footage.

For those who enjoy back-of-the-napkin math, the speed of light is (just under) 300 billion milli

In the GIF below—download the full-res movie file here—a pulse of light was passed over a group of letters (which spell Caltech, of course) and captured at both 10 trillion fps with the T-CUP camera (left) and 70 trillion fps with the new CUSP camera (right). Each pulse lasts just 1.5 picoseconds, or 1.5×10^-12 seconds, or 0.0000000000015 seconds.


You may have guessed this by now, but the CUSP system won’t be taking senior pictures any time soon… or ever. The technology will be used to capture incredibly short-lived phenomena like nuclear fusion, the fluorescent decay of molecules, or the movement of light waves themselves. While some of this was possible with T-CUP, this 7x speed boost promises to reveal natural phenomenon that were previously unknowable.

To learn more about this new breakthrough in femtosecond imaging, head over the Caltech website. And if you want to dive into the full research paper, you can find it online here or in the April 29th issue of Nature Communications.

Culled from www.petapixel.com

Wednesday 6 May 2020

Bold Men Series

I will be testing audience perception about men with this image.
One of the most difficult shoots I have to engage for the time being is the shoot that involves Men. The pay is fantastic but can almost be one way; placing the hand below the jaw. Except you are looking at a fashion shoot, of which could be a little creative dependent on location and props available. Personally, I really don't flow with the dancing thematics. The use of hands is quite important as regards shooting a Man. A man is bold and audacious; social semantics. Even in the midst of flowers, the gaze of a man spells calmly stern.

I got approached by Minister Lush. He needed to shoot for his album. We had to go straight to the point, calculate our depth of field to achieve seamlessly extracted foreground and background separation. We got a location at Abeokuta. We had the regular album shoot and shortly we found out we could add some amazing actions to our images.

During post production, you can decide to add spice to the colors.
I learnt that until you request a move from a client, you really can't tell if the client is interested or not.

We appreciate you, Minister Lush, for gracing our lens.

Stormz O2 Photography©



Monday 4 May 2020

Shape Series

Hi guys, just a little content for the befores*. I needed to have a more content appealing to the eyes, alluring to the mind. I met Tinuke a few times back when she came to my compound through my funny neighbours. And my normal verbage went.... "Hi, I am Tobi, a Photographer, won't mind documenting you someday". Funny enough, I didn't know of her physical chemistry and mega constructions. I got her number and kept it on my phone for 2 years. While I was working with Airtel, I was on my way back home, just at the junction leading to my area around 9 in the evening, shows up Tinuke. She said 'hi'
I love ladies, so I thought probably my suits did the trick... lol 🤣... I had to quickly flow... She greeted me with utmost courtesy. At the end of our conversation, she told me I sounded like I couldn't remember her.... I had to pretend... I said...'of course I do'.... I requested her number... As I input it, I discovered I saved the name with Tinuke Mi... I told myself, amazing...meaning I am finished... lol 🤣... We talked at length... I requested she helped me to model. We had a series of test shoot, then we decided to go for a slight killer because Tinuke has HIPS... Even the blind man can see it... Dear Ladies you don't need to overshoot it, if you don't have it.. especially while having a photo session... Don't ask Photographers, why is my HIPS looking like this... If you don't... Thank God for life, and stop being IRREPLACEABLY STUBBORN. Lol 🤣

We had the location set, and we decided to create this. Tinuke might not be a professional model, however, she has a unique apt learning adaptation skill.

I made use of Nikon D3100, 55-200mm lens.

Tinuke, we appreciate your gracing our focal range.

Images are exclusive contents of Stormz O2 Photography



Saturday 2 May 2020

SNAP BRIDGE; EFFECTIVE TRANSMISSION

In 2016, Nikon launched the SnapBridge app, which realizes seamless connection between a camera and smart device, and followed up with regular updates. SnapBridge features a constant automatic image transferring function. The driving motivation that enabled the SnapBridge team to overcome the difficult development challenges was the ability of the planner, developer and designers to envision the future.


Seamless connection between a camera and smart device

When you open your smart device, photos you have just taken with a camera have already been transferred to the device. Therefore, constant automatic image transfer requires no operation every time you want to transfer images. This lets you get more use out of photos that might otherwise have been forgotten, stored away in their recording media. In this way, quality photos can be more easily shared via SNS and this expands the enjoyment of imaging. This is the world the development team imagined.


To realize this ideal, SnapBridge needed to combine technologies in a complex way. The SnapBridge system could only be realized by utilizing multiple communication methods. As an initial version of SnapBridge, the team nonetheless successfully brought the product to life, but it experienced some difficulties in both technology and usability.
There was still a long way to go in order to fully deliver the team’s ideals to the user.

Utilizing the UX design point of view

After the initial version was released, the team began exploring how to solve the problems that had accumulated, including whether to drop SnapBridge and create a new app.

After restarting, one person who played a major role in establishing the way forward towards an enhanced product was a UX (user experience) designer. The designer created a detailed image of typical users, and organized their priorities regarding what they intend to do with the images they take with their cameras. What could SnapBridge do for such people? Once united behind the same vision, the team proceeded with development without hesitation.

While making technical improvements, the team created many prototypes with a focus on functions and design, and refined SnapBridge into its ideal form.

Creating an easy-to-understand and reliable design

The development direction was optimally organized and the design became much simpler.
SnapBridge, which provides constant automatic image transfer, functions like a "stage assistant" app that works efficiently in the background without needing to be opened while working.
The tone of the design sought to apply Nikon’s professional and robust worldview to the app. In addition, the number and placement of buttons was carefully considered so that users would naturally know what to do next on all screens, making operation that was previously complex much more simple.


At the same time, in order to reassure users that their connection has been successful, an easy-to-understand visual status indication was created. During automatic image transfer, connection status is indicated by an animation, displayed between the camera icon and smart device icon at the top of the screen.
Also, the large camera image displayed on the home screen makes it easy to see which camera is currently paired at a glance. This screen has the role of letting the user experience a sense of operating the camera while actually controlling it via the smart device.
In addition to constant automatic image transfer, SnapBridge enables remote shooting of the camera from a smart device as one of the seamless linkage functions between a camera and smart device.
On the remote shooting screen, genuine shooting functions such as changing aperture and setting White Balance have been placed into an intuitive interface, designed to optimally suit a smart device. The design is simple to use for both those familiar with cameras and people who are more accustomed to smart devices.

User voice:
Photographer Takahiro Sakai

"Normally, I would open up my computer and everyone would come to look at a photo together. However, since SnapBridge allows us to share taken images immediately from a smart device, everybody in my team can now check out the pictures in detail on their own devices.

When I traveled with my family, I could share the excitement right away by sending photos.


Connecting your images to the world

SnapBridge, which has been improved with every update, has received many positive reviews from users. The whole team is grateful that the concept of constant automatic image transfer could provide new enjoyment for so many people.
The meaning of the SnapBridge name is derived from the idea of "a bridge between the imaging within a camera, the world including the web." The team will continue to make further improvements as a bridge helping foster a more familiar relationship between users and their cameras, allowing them to enjoy the high-quality imaging experience that Nikon delivers as a part of their daily life.

Culled from www.nikon.com

Friday 1 May 2020

silhouettes; Timeless Classics

Silhouettes are great peices you would love to capture someday. However, it takes timing....right timing great focus, crisp/details, colors and blends.

For the first set of images, I had to rush to the Barracks to meet with my brother, Oladipo Joshua, at uncle's house. I must confess I never had no intention of shooting. I was harmlessly with my former camera, Nikon D3100 and a 70-300mm lens. My cousin Tolu came into the scene, after exchanging pleasantries, she headed for the balcony. At this point as a Photographer...my instincts beeped uncontrollably... I saw the golden sun and the atmosphere it created.... I quickly coupled my gears. The lens was a manual lens..meaning I must be very decisive in creating the image... My focal length must be precise and my focus ring can't be an inch more or less of details. We shot and booooooom!... We created this... I had a few shots more.... The golden sun might not last for more than 5 minutes so you need to be quick... Creatives will be able to relate creating this kind of image. Dear Tolu, Thanks for gracing our lens way back.
The image was documented in 2013.

For the second set of images, documenting love stories especially might be easy until you have to explore the deeper perspectives of love. I actually love to call this TRUE LOVE IN DARK TIMES. This shoot happened during Bola& Adewale's wedding.. Exploring silhouettes during weddings must be a skill, as time might be against you during shoot composition and documentation. Expressing the art of silhouettes during wedding shoots is more Art appealing. Thanks Bola & Adewale for the opportunity to document you both. The image was captured in 2020.

For the last set of images, while scouting for shoot location, LJ visuals gave me an idea as regards the area we were. I was like,  Great! Let's make images.... I had to choose shoot angles on order to get a better view of the sky's ambience. The first image was created with my phone after Joseph taught me a few tricks. In life, don't be too big to learn .... Don't be too small to develop... After teaching me ... I just worked on my angles and we were able to get these. Thanks Joseph for the timely information.
The image was documented in 2020

In conclusion, making great images comes from a great mind readily inquisitive of exploring options. Do have a great day.

Stormz O2 Photography©



Thursday 30 April 2020

LOVE AND CLASSICS

I remembered a few years back, while struggling with content creation, I was talking about how good a Photographer, I was, at Mama Shade's shop, around Oluwo, in Abeokuta. I stumbled on Denie, and I told her I love her stature... "Are you a model ma'am," I would love to Photograph you someday.... She showed me a few works she had done previously.... I wasn't shocked that my intuition was right... Separately, I met Eric... We got talking about modelling... And I told him I was a photographer, and won't mind bringing up an idea... Eric said..."oh! I have got someone, and we could cook up a romantic couple shoot"... I was like, great....this is gonna be amazing...
Eric came a few days later to Mama Shade's shop in the company of Denie.... Boozai, they knew each other long enough.... I knew a form of chemistry would suffice. We fixed the shoot, and I had to think through shoot perspectives in order to ensure I was not wasting documentary hours. We fixed the shoot for a hardly accessible spot within Abeokuta. We risked it even though I knew someone there. I never had official permission... lol 🤣.. atimes, we dare the odds.

Denie and Eric came through for Stormz O2 Photography.. We created these content in 2017. Fantastic sights and stories we told with each shutter count...

Enjoy our Project themed "LOVE CLASSICS"

Pease note, they are professional models in their rights.

Tuesday 13 August 2019

Canon RF 50-80mm f/1. 1

In what seems to be an ice breaker, Canon designs yet another lens that only the EOS R can handle: the Canon RF 50-80mm f/1.1.