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Sunday, 23 June 2013

“A Human Touch” photography competition- and the winners are

June 16, 2013 /Photography News/ Last month's winner and runner-up in the Life Framer – “A Human Touch” photography competition were selected by guest judge Julia Fullerton-Batten (PDN, WPO, Hasselblad award, Rennaissance).


Winner: Anna di Prospero


Julia's comments: The winning image is very striking. Through the capture of the mother’s hands covering her daughter’s hands to protect her from seeing something unpleasant we get a great sense of the powerful love that they share. We sense that the mother will continue to do this throughout her daughter’s life. The image truly conveys great sensitivity and intimacy, which is not always easy to capture. A wonderfully evocative image – HEARTY CONGRATULATIONS!


Runner-up: Miska Draskoczy


Julia's comments: This image really caught my eye and captured my imagination. It contains many different stories. What are they doing there? Why? Have they thrown ashes of a loved one into the waters or are they just looking at fish swimming?

I like their body positions, they are very wary and stand safely well back from the edge of the quay, but are all very curious about what is going on below. Their colorful modern clothes and a boxed recent purchase against a backdrop of an ancient city artfully contrasts modern day consumerism with past splendors.


Julia also selected 8 others shortlisted pictures that we invite you to discover on our online gallery: http://www.life-framer.com/gallery/a-human-touch/

Many thanks to everyone who entered last month contest. It was a very tough competition with a lot of interesting and creative photography. The Life Framer team is very grateful to every one who trusted and took part in the contest. If you missed out or want to enter again this month theme (“A journey”) head to The Life Framer website. 

Thursday, 20 June 2013

Why Photographers shouldn't rely on facebook for self promotion

If you’re a professional photographer or aspiring to be one, Facebook can be a helpful tool, but you have to know its limits and consider realistic outcome expectations.
Ever since the birth of the fan page, and I’m not positive about this, but it might be as old as the network itself, creatives and photographers especially have been using these pages to show their work. With the right tactics, it can give you great visibility because, let’s face it, a lot of us login at least once a day. And since Mr. Zuckerbergimproved the photo viewing, it’s actually a decent place to show your stuff.
There is however a thin line between using it as a tool and counting on it entirely to bring you work.
Use a little empathy and put yourself in the mind of someone looking for a photographer, let’s say for their wedding. You shouldn’t have to login to any website to be able to view someone’s work. As a potential buyer, you’re probably looking for a good looking, well designed web site that enhances the photographer’s portfolio. This may seem obvious to many, but the truth is, a lot of folks try to conduct businesses with “John Smith photography” pages alone , and that is a mistake.
Having a personal website to feature your work isn’t optional if you want to make any serious income in this industry. I know there are some of you who might just be dipping their toes in the water and not having budgets to cover the cost of a web designer, but thankfully there are some very user friendly , cheap options to solve this issue. Platforms such as Viewbook or even Wordpress offer decent, affordable solutions to share your portfolio in a professional manner.
Speaking of the “John Smith photography” pages everyone seems to be having nowadays, they can help but they might also be confusing aspiring photographers who are looking to improve their skills. Because it is relatively easy to get attention to your photos on Facebook ( by means of tagging , sharing, what have you ), you may find yourself getting a lot of likes and comments on work that isn’t necessarily that good. Having your work appreciated is crucial in any creative person’s life but you have to keep in mind that a lot of that appreciation will come from people who lack any visual or artistic education. Therefore, it probably isn’t the best place to look for constructive critique that could help you make improvements where necessary. Even if ,let’s say you might be friends with a photographer who you admire , and they see your work, it’s not very likely they’ll make any critical comments and risk getting bad attention from your friends, or the overly macho boyfriend of the model you tagged.
With this in mind, focus on constantly improving and updating your personal webpage. It’s by far the best and most professional method for showing your photos. It’s your calling card and it might make a difference in getting the job or not.

Travel Photography, How to avoid the Postcard shot

Travel photography incorporates many different styles and is, therefore, a great creative exercise. Vacations are usually for relaxing and having a good time, but for the shutterbug they are also an opportunity for taking pictures with impact. Many beginning photographers, however, get frustrated as soon as they return home. They realize that most of their travel photos are in the line of classic postcards. Many interesting attractions suddenly seem like they could have been captured in a more original, creative way than the traditional way. Here a few guidelines to help you stay out of the postcard format next time you go on vacation to an interesting location.

TAKE THE CLASSIC SHOT RIGHT FROM THE BEGINNING

It’s bound to happen and there absolutely nothing wrong with preserving a memory of a place you visited. Getting the classic, postcard photo isn’t wrong, as long as you don’t limit yourself to that. Make sure you get it right from the start, so that even if your creative experiments go wrong, you will at least have a lifetime memory.

MOVE AROUND

Classic postcard shots are usually taken from a famous landmark. It’s ok to take out your camera when you get there. The key thing to remember is that you need to move around. One or two steps to the right or left might not make much difference, but a different focal length might do the trick. Also, don’t be afraid to try new angles. That landmark will probably be crowded with tourists, especially if you visit in full season. Make your way around them and look for new views. Everybody will probably be shooting landscapes with a wide angle lens. Use a telephoto lens, not to be different, but to get a different result.

PUSH YOURSELF TO SEE THINGS IN A DIFFERENT LIGHT

When you get to an interesting location, one that is popular among tourists, it will all feel new and that might seem like enough for the time. Don’t fall for that trap, or you will get home only to realize that your photos are barely different from anyone else’s.

PAY ATTENTION TO DETAILS

This is especially important when you are in front of a famous building. Take some landscape photos to capture its full shape, but don’t forget to switch to a macro or telephoto lens to capture the details. They are part of what makes a building beautiful. Look for shapes, colors and contrasts.

BE THERE AT THE RIGHT TIME

It’s not always possible, but whenever you can, try to visit a special location when the light is just right. It’s usually at dusk or dawn, when the light is soft and gently wraps around everything. Be careful however. The local pros also know when the light is right and that’s probably when all the pretty postcard pictures are taken. You might find yourself alone on the spot, but you still need to find interesting and different angles.

Sony World Photography Awards 2014 - Open

Entry Start:
01/06/2013
Entry Close:
06/01/2014



Are you an amateur photographer or a photography enthusiast? If so, then this is the competition for you! 
The Open Competition offers 10 diverse categories for you to enter, ranging from Action to Travel. As a Basic Member, you can enter up to 3 photographs for free, submitted into one category or spread across multiple categories. 
Increase your chances by upgrading to Advanced Membership (enter up to 8 images) or Premium Membership (enter up to 20 images).
Find out more about upgrading your membership here. 
Photographers of all ages, backgrounds and experience levels are invited to enter this competition where great imagery is everything, and creativity is the key ingredient!
Please note once you enter this competition you will not be able to enter the Youth Award or Professional Competition.

The Perfect Pet II Photo Contest

 Pets are our pride and joy. They often define our lives and sometimes even rule our lives. Humans can be entirely devoted to their animal companions. PictureCompete is searching for photos that poignantly display that special relationship between people and pets. They are looking for the most touching and heartfelt or the most humorous images of all animals that are pets.


Cash prizes:

• First Place: $200 (USD)
• Second Place: $75 (USD)
• Third Place: $50 (USD)

All winners will receive:

• Winner's gallery exhibition
• Social media exposure
• PictureCompete™ newsletter exposure

Eligibility: Contest is open to all individuals 18 years and older, worldwide.

Copyright: All submitted images remain sole property of artist/photographer.

Deadline: July 11, 2013 (11:59 CST)

Call for talent - "A Journey"

Life Framer is a monthly photography award and curated exhibition for the present day. It’s a platform designed to source creative work and showcase outstanding photography. Its aim is to bring exposure to talented photographers from all over the world: your talent, your vision, your life.

Theme:

The June competition theme is “A Journey”. Walking from dawn to dusk to dismantle the big jigsaw of our life. We are travelling along different roads but we will end up in the same place: an embryonic journey. Show how life looks through your eyes… Your adventures, your discoveries, your journey!

Possible reference points include: cultures, people, customs, travels, landscape, the ordinary or the magical. Feel free to go any direction you want.

Judge:

This month’s judge is Nirrimi Firebrace, an internationally awarded and acclaimed photographer with an untamable thirst for adventure and precocious talent for amazing images.

Deadline: 30th of June, 2013

Prizes:

The monthly winner:
- US$400 cash prize
- Your image printed, framed and displayed in Life Framer’s end-of-year exhibition
- Your image exhibited on Life Framer website and spread across its social media
- An interview featured on the Life Framer blog
- Feedback from the guest judge

The monthly runner-up:
- Your image printed, framed and displayed in Life Framer’s end-of-year exhibition
- Your image exhibited on Life Framer website and spread across its social media
- Feedback from the guest judge

Entry fees: 1 image = $10, up to 3 = $20, up to 5 = $30

Eligibility: Worldwide, 18+, both amateur and professional photographers

Copyright: Entrants retains full copyright of their photographs


To view all current call for entries listed at Photography News, visit http://www.photography-news.com/2009/12/photography-competitions.html

“The Wonders of Water, part III” photo contest call for entries

 It is undeniable that water is our most important resource. Water is essential and sustains us on this planet. In addition to being a life-giving force, water can also bring destruction and damage. It is a part of our daily tasks and rituals. We are bathed in water, sometimes baptized and even born in water. Water can express and represent many wonders including peace, tranquility, power and strength. You are invited to submit your favored images that best represent the wonders of water.

Prizes:

First Place: $400 (USD) cash prize
Second Place: $200 (USD) cash prize
Third Place: $100 (USD) cash prize
Three (3) honorable mentions will also be chosen.

Copyright: All submitted images remain sole property of artist/photographer.

Entry Fee(s):

$20 (USD) for first 4 images
(Up to 8 image entries may be submitted for additional fees)
Color and/or Black and White images will be accepted.

Eligibility: Contest is open to all individuals 18 years and older, worldwide.

Entry Deadline: July 29, 2013 (11:59PM CST)

To enter and for more info: http://terabellamedia.com/photo-contest/

To view all current call for entries listed at Photography News, visit http://www.photography-news.com/2009/12/photography-competitions.html

Photography- a memory Preserver

Photography is used by amateurs to preserve memories of favorite times, to capture special moments, to tell stories, to send messages, and as a source of entertainment. Many mobile phones now contain cameras to facilitate such use. Photography is all about light, and as photographers, we're constantly thinking about the light as we photograph a scene. Light dominates our thoughts during the photographic process, and light continues to be a defining element when converting your RAW captures to "real" digitalimages. Photography is an art and those of us who choose to practice the great art of street photographyought not be targeted by bullies like Blint. Many of the great artists, artists being shown in the SF MOMA itself were practitioners of street photography.
Photography is a language; it has syntax and structure like English. As with a language, there are many ways to understand how to use the language. Photography is also increasingly asserting itself on the auctionblock as an important investment. And its prices in the galleries and at the major fairs reflect its serious status.Photography is one of the most basic, quintessential prototypes for how a "small business" works. It's the single-celled creature of the business world, making it the easiest to analyze, experimentwith, test, and retest.
Photography is a type of art. With the skillful use of the artist's hands, photography can bring out the subject's "personality" and create almost magical moments which might not ordinarily be achieved through other means of self-expression. Photography is a creative endeavor, if you removethe pressure to capture every angle and view of a location, you free yourself up to be more creative and your results will be much better. Photography is not art any more than oil paint is art. Some photographers used it to create art.
Photography is the confluence of chance, observation and memory. Photography and Art tap into the very life force that drives us. Photography is an emotional and intuitive process for me. Scenes, objects, and the subtleties of light and colour are like emotional bookmarks. Photography is an art that is capable of ?
Photography is so much a part of our culture now that we hardly even notice all the places that it exists. When you watch television, look at a magazine or even view a billboard on the highway, this is all because of photography. Photography is no different than cave painting, we all want to tell our story, some want to record that story for others who missed out. Did you see the anguish in her face, did you notice the mother's reaction?". Photography is the dream, the interval, which we take to be the real. And yet secret tears flow behind these portraits.
Photography is an entire hobby in itself, and a thorough exploration of it is beyond the scope of this article. If you are interested in Professional RC aerial photography, or just want to know more, get a book from the library on photography and read it. Photography is a life-long hobby for many people. But for many thousands more it is a vocation. People who gain ability in photography can put their knowledge to work by making their living in it. Photography is also just plain fun, and it's a wonderful foundation for community-based projects. If you introduce photography properly, it helps you look much more carefully at the world around you.
Photography is finally escaping any dependence on what is in front of a lens, but it comes at the price of its special claim on a viewer's attention as "evidence" rooted in reality. As gallery material, photographs are now essentially no different from paintings concocted entirely from an artist's imagination, except that they lack painting's manual touch and surface variation. Photography is HOT in the international art market. People in the know buy photos by hot artists from hot dealers, the way some savvy businessmen buy blue-chip stocks. Photography is probably the most accessible form of art in the world. Granted, a box of crayons is cheaper than a disposable camera, but in theory you do not need any technical skills to use the camera.
Photography is an art form that should not be squelched. Transportation is a huge part of our lives, and documenting this whether it be subway photos, or pictures of trains and airplanes, has a long history and tradition in this country Photography is also a large part of our modern news media and journalism. Photography is an expansive art form that includes more than just portraiture, landscape or glamor photography. Both professional and amateur photographers may favor specific types of photography over others.
Cameras also provide histograms to help you determine if a photo has been properly exposed. Histograms will be a subject for a future article. Cameras may be hand held or mounted, and photographs may be taken by a photographer, triggered remotely or triggered automatically. Platforms for aerial photography include fixed-wing aircraft, helicopters, balloons, blimps and dirigibles, rockets, kites, poles and parachutes. Cameras are changing and improving. Methods of developing are changing and improving as well.
Cameras in the nineteenth century were large, took photographic plates and required a long time for exposure. Subjects in portraits would have to sit for minutes, and some photographers would use restraints or posture holding devices to reduce movement. Cameras do not focus infrared light the same way they do visible light, which is one reason infrared photographs tend to be a little blurry. Cameras with a pentaprism (as opposed to pentamirror) ensure that little light is lost before it hits your eye, however these often increase the cost of the camera significantly. Larger format sensors also produce a brighter viewfinder image (such as full frame 35 mm, compared to 1.5-1.6X or smaller crop factors).
Stock photos are professional photographs of all different subjects that are sold individually or as a set, usually on a CD or on the Internet. Clip art is line art such as drawings and illustrations rather than photographs. Stock photography websites contain thousands of existing photographs that can be licensed for specific uses. Legally, you cannot use a photo you find on the web without the photographer's permission.
Practice your photography skills and improve your class projects. Practice this at home in a dimly lit room and without a flash change the shutter speed settings on your camera. The manual you got with the camera should explain this more in detail.
Subject movement is also an important factor to consider. Macro photography magnifies the subject, leaving more room for blur. Subjects in all lower case tend to escape notice in a busy group like RPD, and those in ALL CAPS tend to get actively ignored?probably because many experienced Internet users take all caps as SHOUTING.

Article by William Cristopher

Monday, 17 June 2013

23 MOST KNOW- TO BE SUCCESSFUL IN PHOTOGRAPHY



Having success in photography means a lot more than just shooting a camera. This is a list of things you must know if you want to make it as a pro photographer. Some of them are obvious, others may surprise you. No such list can guarantee success for anyone, however, you will have a better chance if you acquire this knowledge.
1. Know what you want
You should have a clear idea of what kind of photography you want to be successfulin. It is the sort of thing only time and practice reveals. You should also know if you want to be a full time professional and make an income, or if you want to perform at an advanced amateur level.
2. Know the technical aspects
Successful photographers have good knowledge of how their cameras and lenses work. Make sure you know everything there is to know about using a camera. As long as you understand the principles they work by, you’ll be able to use any kind of camera.
3. Know the history of photography
Every photographer should know who Ansel Adams and Henri Cartier Bresson were. Study the great masters of photography, study their work and how they operated. A clear view and appreciation of the past is essential for any developing artist.This also applies to top photographers within your locality. 
4. Know the greats of today
Never before have there been so many photographers in the world, and thankfully, there are some incredible talents in our times. Finding them is easy in today’s web 2.0 age so make sure you study their work. Understanding how a photographer created a certain image can make a huge impact in the way you work and develop your portfolio.
5. Know the tools you need
It is a fast changing industry and the equipment is getting more and more advanced and more and more tempting. However, being successful starts early. You should know exactly where to put your money and buy the best of what you need within your means. Spending a fortune on a lens or a camera will make you feel good the first few days, but if you sacrificed buying two or three other lenses you could have used for business, it might not pay off.

6. Know how to shot like others
In no way am I encouraging you to copy anyone’s work but I do think you should try reproducing other photos from time to time. Why? Because this will give you the confidence that you have what it takes to deliver a professional result and, more important, it will make you find your own style. Only by being able to do someone else’s work can you truly see the importance of making your own workuncopyable .
7. Know how to keep the passion going
Your life as a professional photographer should be based on making an income by doing something you love , yet there are times when the fire that used to drive us is in jeopardy. Dealing with many clients, meeting many demands and working long hours will take a definite toll on your passion for photography. You need to find a way of getting it back and making sure you aren’t in danger of loosing it for good. Unfortunately, there isn’t a universal way of doing this and it’s up to everyone to find out what works best for them. I go to art and photography exhibits, buy photography albums by famous photographers and go for long walks , but everyone should do whatever floats their boat.
8. Know when to say no
Since you are providing a service, there might be times when people will ask you for favors. Many folks often make the mistake of believing our job is an easy one, that all it involves is pressing a button, and so on. Therefore, you should be able to make exceptions from time to time and not charge anything, right? Wrong! Unless it is really close family , you shouldn’t be giving your abilities for free to anyone, not even to your brother’s best friends or your grandma’s neighbor. There are people who find it difficult to say no to someone when they are being asked politely. However, in the long run , these favors will harm your business rather than help it grow. Learn when and how to say no, and do it in the most polite and professional way.
9. Know how to negotiate
A vital part of any business is the ability to close the deal, so to speak. Negotiations can be very scary, especially for creative, artistic people who would rather have the money talk done for them. Sadly, not everyone is at the level where they are represented by an agent who does the negotiating, thus relieving them of this burden. So you need to know how to do it on your own. I strongly advise seeking help in other fields of work. I’ve heard people who work in sales are particularly good at this.
10. Know how to lose a deal
Especially if you live and work in a smaller community. Regardless of location, every now and then things don’t work out the way you want them to. A potentially rewarding contract could go to someone else. Learn to accept it and move on. Do not call for a re-offer, do not threaten the competition into backing out of the deal, do not ask the client what deal they went for and so on. The fish in the sea saying applies here. Pick yourself up and go find new clients.
11. Know how to edit
This means picking the best photos from a shoot and adding them to your portfolio. You should know how to edit your work and you should have a printed book. Having the ability to select your best work will have a significant impact on your professional future. After all, you may shot whatever you want or whatever the client asks of you, but at the end of the day, it matters what you show the world.
12. Know how to post process
Because no professional photographer will survive or get very far by lacking PP skills. This is the way digital photography was designed, to be optimized with certain adjustments. You need to know how to make your photos look better. Sending your photos to a retoucher because you’re afraid to learn or you can’t find the time is a temporary solution that won’t take you very far. One reason is trusting another person for an outcome you are responsible for and another is that you will never truly develop apersonal style that people can recognize.
13. Know how to present yourself
Whatever genre of photography you’re in, it helps if the client sees you as a professional. Other than the way you work, the way you look plays an important part. I’m not saying go and shoot in a suit and tie, although it’s not uncommon in the wedding business, just make sure you look tidy and don’t wear the same T-shirt you wore when clubbing the night before, which again, should be a big no-no.
14. Know your competition
Do your best to figure out what the other local pros are doing, especially the successful ones. Observe their work, their business model and marketing and learn from them. DO NOT copy anything. Instead, adapt in such a way as to stand out from the crowd and offer a different, better option.
15. Know how to master light
Do your best to reach a level where you are fully capable of mastering both natural and artificial light, as well as combinations of the two. Light is the core of photography. Knowing its secrets will separate you from many competing photographers and recommend you as THE pro to work with.
16. Know how to market yourself
Vital in any business. Also another thing many creative people dislike because it makes them feel like used cars salesmen , regardless of how talented they are. If you’re serious about getting anywhere, marketing your business is not optional. It’s not rocket science, it’s just a different way of working with people. Again, seek advice from different fields. People who work in marketing, communication, PR and curators can provide helpful knowledge in this area.
17. Know how to blog
Writing can be very helpful to a photographer. It’s a new, different way of channeling creativity but it can also help you escape a creative rut.
Blogging can bring in new fans as well as clients. Try to write interesting posts about your work or future projects and learn how to use SEO to your advantage.
18. Know how to appreciate art
Great inspiration can be drawn to photography from other art forms. You shouldn’t limit your interests to photography. A good photographer is, above all, a well educated person. Go to museums and art galleries and explore what some history’s greatest artists have to offer. It will help you keep an open mind and it will help your vision evolve.
19. Know how to make your clients feel special
This will take you a long way, possibly further than your photography skills. It doesn’t mean you should be a lousy photographer, but good communication skills will bring you a lot more work than you would expect. It can be a pretentious art director or a bridezilla. If you can make them feel good while working with you, you’ll most likely be getting more work from them or through their recommendations.
20. Know how to price your work
You are providing a service based on your talent and that has a cost. You have to clearly determine that cost by taking into account things like taxes, expenses, gear investments, number of hours of shooting in a day , number of working days in a year ,etc. Pricing is a lot more rational than it seems at first glance. You can’t just invent a fee depending on the client. I mean you can, but it won’t get you to far. It’s all part of the business plan so make sure to include this in top priorities.
21. Know how to save money
If you can’t save money you won’t be doing well in business. Find ways to save on everything, from gear purchases to daily habits. Learn to cook instead of eating out all the time. After a while, saving money will bring you just as much joy as spending it.
22. Know how to keep going
Being a photographer is not an easy way to make a living , though it can be a very fun one. Everyone starting a business faces an inevitable risk of failure. It’s up to you to prevent that from happening. If you learn from other people’s mistakes and maybe even take advice from lists like this one, you will have a pretty good chance of keeping things going and growing. There will also be times when you will want to throw it all away and go back to whatever it was you were doing before you picked up a camera. Don’t. It’s a long, hard road to walk but if the joy overcomes the heartache , even by a small margin, keep going.
23. Know when to take a break

You need to cool of your creative engines that have probably been stressed with accounting problems as well. Go some place new and take a minimum amount of gear. Enjoy what the world has to offer without trying to get a good photo of it. Inspiration lies in very unexpected places , so from time to time, take a break and go find it.

Just Before that Wedding Event

As a photographer, there are many things and details you deal with during a major wedding photography. You cannot be everywhere at the same time. Therefore, it is necessary to always have concrete and precise draw outs that serve as guides. What are these checks and balances?
HIRE AN ASSISTANT
Having an extra set of hands to help you out during a wedding shoot can be invaluable. Even if the assistant isn't using a camera, they can still come in handy for holding a flash, grabbing more equipment out of your car, organizing and posing everyone, or making you plate of food while you take more photos. Of course, it will cost you a little extra, but it will be well worth the saved time and reduced stress.
ALWAYS BRING EXTRAS
You never know when something's going to go wrong during a shoot: Your battery dies, your memory cards fills up, you drop your camera. That's why it's always a good idea to bring a backup for everything. Your camera, flash, batteries, memory cards, lens, anything necessary for completing your shoot. How embarrassing would it be if your camera battery died right as the ceremony started?
GIVE YOURSELF SOME WIGGLE ROOM
Photographers often keep a full and busy schedule. Shoot, edit, meet with clients, edit, send e-mails, do finances, edit some more, and try to get a meal in between. But it's always smart to give yourself a little wiggle room in there, even if it's just half an hour.
BE READY TO SHOW YOUR WORK

Presenting your photos is a big deal. The bride, groom, and all of their family and friends are going to want to see all the wedding pictures. A good presentation will not only impress your clients, but make you look more professional and give others a reason to suggest you as a photographer meaning more potential clients for you. Perhaps the best way to do this is by creating a slideshow presentation for your clients after the ceremony to show at the reception. I've heard that photographers who do this often blow their clients away with how fast they put the images on display. Obviously, time is of the essence here, so Proshow's slideshow software is best way to go. There are three different versions, each one designed to suit your specific needs. Using the wizard, you can set up a slideshow in a few minutes and be showing your photos to Grandma Esther during the reception. You can even try the software for free.
CREATE A SOLID CONTRACT
Before you start doing weddings, you should have a contract that covers almost any situation you may encounter. If you already have a contract, it doesn't hurt to look over it and make revisions. Listing everything you need in a contract would take another page or two, but there are many examples on the web that you can look at to get an idea of what yours should look like.
COMMUNICATE WITH THE BRIDE AND GROOM
This is of utmost importance. The bride and groom are the ones you're trying to please, especially the bride. So make sure you communicate with them often and thoroughly. Before the wedding begins, you should know what their expectations are, what they'll be receiving as far as prints and digital media go, and when they'll be receiving their photos. These are your clients, cater to their needs (within reason).
VISIT THE LOCATION BEFOREHAND
This can save you a lot of hassle. Knowing the best spots for taking photos, the available light in the building, and where you and the couple will be standing during the ceremony can give you a huge step up when it's time for the shoot. Also make sure that you go to the location at the same time of day (if possible) as the wedding. This will give you an idea of how the outside light will flow through the windows.
CREATE AN AGENDA
Creating an agenda for both you and the bride and groom will (hopefully) keep things running smoothly. Again, giving yourself some wiggle room is a good idea, though, it may be tricky. Give yourself plenty of time to shoot the photos you want before the ceremony. Making a shot list can be a great addition to your agenda too.

Written by Spencer Seastrom